At The Royal Society, April 7 - June 22, 2011
Geraldine Cox was born and lives in the UK. Originally trained in physics, Cox jumped ship and has dedicated herself to her artistic practice. In many ways it was her painting "Duality', finalist in the MK Fringe 2009 painting prize that germinated the seed of an idea I had for Beyond Ourselves. Within it, there was a palpable understanding and acknowledgement of the fallibility of the scientific process. When scientists embark on a journey, they do not have answers; inherent to the quest is an acceptance that the process of experimenation has unexpected outcomes.
What marked the piece out as special was her spare but particular mark making, almost sketching out the possibilities open with the scientific process. Cox, has since gone on to produce a new series of work that takes physics, but more importantly the creativity within investigation and exploration as its inspiration. The visual language she employs articulately communicates the respect, pleasure moreover the love she has for this subject. Looking at her work one sees her intimate relationship with her subject matter played out and her keen desire to understand what she sees as similarities between the world of the artist and that of scientists. A painting such as 'All Matter is the Same' is an articulate sonata to the ingenuity and creativity of the scientists she studies. Cox paints with loose yet perfectly defined marks that use a particular palette appropriate to each paintings inspiration. Another device that Cox employs is the split canvas which further underpins the idea that there can be an important leap in thinking, beyond the obvious and the predictable when physicists work.
Unlike other artists, Cox's work is uniquely interested in the origin of intellectual thought, particularly when applied to these topics. Her paintings are imbued with the awe and respect that accompanies understanding. It could be argued that Cox, is almost operating as the antithesis to the sci-art practitioners that use topical media concerns to demonstrate science’s mantle as chief global problem solver. Her understanding and subsequent work is more profound and eloquent, Cox has found a powerful and unique expression for the wonder of our world, explaining that so much of the physical laws and constants that surrounds us are increasingly found to be simple and beautiful.
Starbucks coffee cup holder with scientist's notes depicting Feynman diagram for an electron positron interaction
2010, Cup holder, wire, light emitting diode, notes of explanation by Dr T Rudolph
12 x 12 x 12 cm
Ingrid Hinton 2010
All Matter is the Same
2010, Oil on fine linen, 2 pieces
160 x 130cm
The City and Guilds of London School of Art, Postgraduate Painting, 2005The City and Guilds of London School of Art, BA Fine Art Painting, 2004Loughborough University, BSc Physics 1988
AwardsLeverhulme Trust Artist in Residence Award 2011, Imperial CollegeBritish Arts Council and National Lottery Development Award 2010MK Fringe National Painting Prize, finalist 2009 (judges Michael Stanley, Pheobe Unwin)Arts Council Personal Development Award 2008Sherbourne House Open finalist 2007Nottingham Open finalist 2007 (judge Hew Locke)City and Guilds of London Art History Prize 2004Roger de Grey Drawing Prize 2003
Selected Exhibitions
2010Beyond Ourselves, Nottingham Lace Market Gallery.
2009MK Fringe National Painting Prize Milton Keynes (competition finalist, judges: Phoebe Unwin, artist, Michael Stanley, Modern Art, Oxford).108 Fine Art, Harrogate, (with Alan Davie, Ansel Krut, Adrian Wiszniewski).
2008India Art Summit, Emerging World Art, Delhi, (with James Green, Guler Ates, Will Martyr).In Search of Beauty, Menier Gallery, London, (with Caulfield, Albers, Hoyland).Short Stories, Southwell ArtSpace, Nottinghamshire (two man show with Andrew Litten).Mixed / No Theme, Goldfish Fine Art, Penzance (with Tim Shaw and others).108 Collective, 108 Fine Art, Harrogate (with Anna Maria Pacheco, Tim Shaw and others).Rare, Tribal Mojo, London.
2007Margins, Sherbourne House, Dorset (competition finalist, judge: Joseph Clarke – Milennium Gallery).Nottingham Open, Angel Row Gallery, Nottingham (competition finalist, judge: Hew Locke, artist).
2006Five, The Oval House Theatre, London.Life2, Microsoft Corporation, London.Ravenous Fish and Tasty Plankton, The Empire Gallery, Vyner Street, London (with Ann-Caroline Brieg and others).
Selected Corporate Collections
Tussauds Group - LondonEMI Group - LondonSurrey NHS TrustTricorn Partners LLP - LondonSidley Austin LLP - LondonPaintings in Hospitals, registered charity – London
Physicist
2010, Oil on stretched japanese paper
Illuminated
40 x 25 cm
First Flight of a New Idea
2011, Oil on canvas
138 x 180 cm
Prof. Richard Feynman: Extracts from the 1964 Messenger Lectures at Cornell University: ‘The Character of Physical Law’
Digital video, 8 Mins
Generously donated by Carl and Michelle Feynman, with kind permission of the the BBC and support of Microsoft
The Laws of Physics
Digital photograph
"The things with which we concern ourselves in science............"
2011, Oil on canvas
127 x 177 cm
Calculating in the Space Beyond Reality
2010, Watercolour on sketchbook pages
36 x 56 cm
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